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“Why’s this so good?” No. 35: Malcolm Gladwell on ketchup

Malcolm Gladwell does so many things well as a feature writer that it’s embarrassing to mention them all. I’ll list a few of them anyway: Malcolm Gladwell is astonishingly quotable.…
“Why’s this so good?” No. 34: Buzz Bissinger trails a fabulist

“Why’s this so good?” No. 34: Buzz Bissinger trails a fabulist

So, you, a journalist, are given this ridiculous, outrageous assignment: Write a story about one of your own, a writer who betrayed your profession on a spectacular scale. It’s the…
What we're watching: Kony 2012, “BLA BLA” and the extra point

What we’re watching: Kony 2012, “BLA BLA” and the extra point

Yesterday at SXSW, a fascinating interactive animation by Quebec filmmaker Vincent Morriset called “BLA BLA” won first prize in the Interactive Art category. While we’re not sure that the treatment of…
Turning a newspaper project into a book: Christopher Goffard on "You Will See Fire"

Turning a newspaper project into a book: Christopher Goffard on "You Will See Fire"

We recently noticed that Los Angeles Times reporter Christopher Goffard had expanded a series he had done for the paper into the book “You Will See Fire.” We’ve talked with…
February Editors' Roundtable: The Milwaukee Journal Sentinel on patients' rights

February Editors’ Roundtable: The Milwaukee Journal Sentinel on patients’ rights

Our February Roundtable looks at “Law creates barriers to getting care for mentally ill,” by Meg Kissinger. In her narrative, Kissinger touches on violence, mental health and 40 years of…
“Why’s this so good?” No. 29: Andrea Curtis and the rhythm of mercy

“Why’s this so good?” No. 29: Andrea Curtis and the rhythm of mercy

As a rule, I’m not one of those readers who flips ahead to the last few pages of an article or book before committing myself to reading it. I like…
Pamela Colloff on storytelling, justice and letting readers think for themselves

Pamela Colloff on storytelling, justice and letting readers think for themselves

Our latest Notable Narrative, the story of a mother convicted of killing her adopted son with salt, comes from Pamela Colloff of Texas Monthly.A two-time National Magazine Award finalist, Colloff…
“Why’s this so good?” No. 27: Christopher Goffard tracks love in flight

“Why’s this so good?” No. 27: Christopher Goffard tracks love in flight

One drawer of my desk – the largest – contains a mound of stories, the best I’ve found in newspapers and magazines over the last 20 years. In addition, three or four…
December Editors’ Roundtable: Vanity Fair on U.S. money trouble

December Editors’ Roundtable: Vanity Fair on U.S. money trouble

Our last Roundtable of 2011 considers “California and Bust,” in which superstar business reporter Michael Lewis turns his keen eye away from analyzing European financial problems, looking instead toward the…

When journalists become authors: a few cautionary tips

There’s long-form narrative, and then there’s book-length narrative. Both are “long,” but a story that’s 300 pages long is a different proposition, for both writer and reader, from one that’s…