By Chip Scanlan When Thomas Curwen of the Los Angeles Times decided to write about mental health care in California through the lens of one patient, he faced a daunting challenge: tracking the erratic chronology of … Read more
By Mallary Tenore Tarpley Washington Post reporter John Woodrow Cox has spent six years covering stories of gun violence and children, fashioning a beat out of one of America’s most heartbreaking realities. Yet when he first … Read more
EDITOR’S NOTE: In making “good trouble” through journalism, Paul A. Kramer of Vanderbilt University argues for seven approaches that create partnerships between writers and readers to address shared social problems: “The best narrative non-fiction writing on social … Read more
First there was Nathalie, an English language learner who whispered that she’d never done well in English, never liked it, but this course was different. And her writing was getting better. Then there was Nseandra, who avoided the news … Read more
EDITOR’S NOTE: This is the second of two posts about how the pitching, reporting and editing of a complex story about crime, assumptions and mental health. Today, Storyboard talks with Atavist editor Seyward Darby about essential story elements … Read more
EDITOR’S NOTE: This is one of two posts about a complex tale of crime, assumptions and mental health published by The Atavist. Today we talk with writer Katia Savchuk about how she found and reported the story. Tomorrow, Atavist editor … Read more
In the first half of 2021, Matt Sullivan and his family took refuge in Miami from the pandemic in New York City, and to finish his first book, “Can’t Knock the Hustle: Inside the Season of Protest, Pandemic, … Read more
Jim Morris was four decades into a successful investigative journalism career spotlighting environmental and labor issues. His storytelling — in newspapers, magazines and broadcast — was intimate and girded with data. He had more than 80 awards to his … Read more
“A plus-sized Jewish redneck lady died in El Paso on Saturday.” That’s the first line of the unforgettable obit of Renay Mandel Corren, who died in December at age 84. Written by her 52-year-old son, Andy … Read more
In 1990, Joan Didion received an assignment from Bob Silvers, editor at the New York Review of Books, to write about a highly publicized, emotionally fraught crime almost nobody wanted to read about after it was, in theory, solved. Read more