new yorker

‘Stay long enough to be boring,’ and other notes from the Power of Narrative conference

‘Stay long enough to be boring,’ and other notes from the Power of Narrative conference

Lessons for journalists from ‘London Falling.’ Plus: finding the heart of an audio story
Four lessons for journalists from Patrick Radden Keefe’s latest book, ‘London Falling’

Four lessons for journalists from Patrick Radden Keefe’s latest book, ‘London Falling’

The New Yorker staff writer and bestselling author speaks at the Power of Narrative conference about investigating a 19-year-old's mysterious death
A Patrick Radden Keefe reading list

A Patrick Radden Keefe reading list

Boston University's Power of Narrative conference. Plus: J. Anthony Lukas Prize Project Awards
How we reveal our character

How we reveal our character

Scenes from an election week. Plus: Selling a book proposal and the value of a ‘flop’
Storytelling with humility (and teeth)

Storytelling with humility (and teeth)

The New Yorker's Burkhard Bilger goes to ‘Molar City.’ Plus: Dana Hedgpeth on history’s lessons, and a tribute to a beloved Los Angeles Times mentor
Behind the Scenes: Burkhard Bilger weaves humor and history into a story about teeth for The New Yorker

Behind the Scenes: Burkhard Bilger weaves humor and history into a story about teeth for The New Yorker

The New Yorker staff writer shares his own dental history to tell a story about America's ailing health care system
Susan Orlean tells her own story

Susan Orlean tells her own story

The New Yorker writer's new memoir, “Joyride.” Plus: Kate Sosin on covering trans issues and avoiding burnout.
Technology still demands a story

Technology still demands a story

Sam Wolson on finding the right medium for the right story. Plus: Terry Gross on 50 years of ‘Fresh Air’ and using narrative structure in interviews
The New Yorker's Sam Wolson on interactive storytelling about a mother and her trans teenager leaving the U.S.

The New Yorker’s Sam Wolson on interactive storytelling about a mother and her trans teenager leaving the U.S.

The Interactives Visual Features Editor discusses the intersection of VR, interactive design, documentary work, and reporting
‘A Noiseless Flash’: Hiroshima, 80 years later

‘A Noiseless Flash’: Hiroshima, 80 years later

The power of one story, and the need for many. Plus: Maurice Carlos Ruffin on “getting your protagonist out of the house”