Author

Susan Orlean tells her own story

Susan Orlean tells her own story

The New Yorker writer's new memoir, “Joyride.” Plus: Kate Sosin on covering trans issues and avoiding burnout.
Journalist Kate Sosin on covering trans issues in the age of Trump 2.0

Journalist Kate Sosin on covering trans issues in the age of Trump 2.0

“As a trans person, I have to write news that makes me want to get up in the morning … stories that are more constructive than just, ‘Here's another thing…
‘Your story is worth telling’

‘Your story is worth telling’

Danyel Smith on journaling through life and work. Plus: National Book Award finalists, and the elements of a story pitch
Danyel Smith on developing taste as a writer and building confidence to tell your own story

Danyel Smith on developing taste as a writer and building confidence to tell your own story

The award-winning journalist, author, and producer shares lessons from across many forms and genres — from running Vibe magazine to writing her memoir, “Shine Bright”
Scenes from a hacker house

Scenes from a hacker house

The San Francisco AI gold rush. Plus: Kari Howard Fund for Narrative Journalism, Justin Heckert's one that got away.
From index cards to interviews: Eight journalists on reporting and writing scenes

From index cards to interviews: Eight journalists on reporting and writing scenes

Nieman Storyboard's archive of lessons and advice from some of the most memorable narrative nonfiction
Everybody needs an editor

Everybody needs an editor

Michael Kruse and Bill Duryea reflect on a 16-year partnership. Plus: Telling a family's story, without everyone's participation.
Michael Kruse & Bill Duryea: Lessons from a 16-year reporter-editor partnership

Michael Kruse & Bill Duryea: Lessons from a 16-year reporter-editor partnership

The journalists share how they supported and learned from each other at the Tampa Bay Times and Politico.
Finding your book's main characters

Finding your book’s main characters

Megan Greenwell's “Bad Company,” annotated. Plus: What makes dialogue work on the page?
Megan Greenwell on holding out for the once-in-a-lifetime book idea

Megan Greenwell on holding out for the once-in-a-lifetime book idea

The author of “Bad Company” on the merits of waiting until she was seized by an obsession and couldn’t let go