When The Roanoke Times “Age of Uncertainty” won Documentary Project of the Year from Pictures of the Year International, it wasn’t the narrative writing or the photography or the Web design they wanted our insights on. They asked us to … Read more
The following comments are taken from a talk given by Oregonian reporter Tom Hallman on September 25, 2009, at the American Association of Sunday and Feature editors. Hallman won the Pulitzer Prize in 2001 for “The Boy Behind the Mask.”
For reporters, there has to be a change of attitude. Narrative was seen as being all about writing and having plenty of time to do stuff. Narrative reporters were seen as prima donnas. So for younger writers, they’re going to have to tell stories, to find stories that are going to be shorter…
The truth is that we turned out stories that were not worth 40, 60 or 90 inches, where the openings were about impressing other writers more than reaching the readers. But you cannot tell a scenic story in 15 inches. It’s going to require a different kind of narrative: The presence of a writer’s voice but without the heavy first person references. My feeling is unless you’ve witnessed a murder, you don’t need to be in the story. It will take a more disciplined approach to the story, the realization that some things are going to have to go by the wayside. You’re going to have to use quotes, whether you want to or not, to condense the story.
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[Editor’s Note: These comments are adapted from a talk given by Michael Pollan at the 2006 Nieman Conference on Narrative Journalism.] Book by book, project by project, it’s usually hard to say who you are as a writer or what … Read more
Editor’s Note: This essay originally appeared in the Fall 2000 issue of Nieman Reports, the Nieman Foundation’s quarterly magazine. Narrative writing is returning to newspapers. No one has added up the reallocated column-inches to quantify this change, but there are … Read more
Anne Hull Class of 1995 A longtime Washington Post reporter, Hull won the Pulitzer for Public Service in 2008, for reporting, with Dana Priest, that exposed substandard … Read more
In Vex, Hex, Smash, Smooch, her new book on writing and language, journalist and writing teacher Constance Hale explores the world of verbs. Hale, a Hawaii native who lives in San Francisco, is the author of Sin … Read more
Word nerds, you’ll want to stock up on yellow highlighters for Vex, Hex, Smash, Smooch, Constance Hale’s newest book on writing and language. In her follow-up to Sin and Syntax, Hale, a journalist and writing teacher, autopsies and … Read more
When I was little, my mama worked the early shift at the seafood plant. She’d drop me off at my Aunt Janice’s house before dawn and they’d lay me down on a pallet in the living room. Country music played … Read more
[Note: The following is an edited transcript from a talk at the 2001 Nieman Conference on Narrative Journalism. It first appeared in the Spring 2002 issue of Nieman Reports.] The ending is something special. The ending is the last word. Read more
Getting stuck next to a compulsive talker is one of the worst things that can happen at a dinner party or on a long bus ride. Even worse: the self-centered compulsive talker. What makes this experience so awful? The person’s … Read more