The email that pinged my inbox Wednesday, as an assault on the U.S. Capitol was at its most intense, was quick and blunt: “Aren’t you glad you’re not out there?” I responded with similar blunt speed: “No. Read more
A version of this essay was published as the Storyboard newsletter on Jan. 1, 2020 A flip of a calendar page and, just like that, 2020 is over. Of course, it wasn’t just like that. It wasn’t like anything … Read more
At the end of this, a year that defies easy summary, we abandon attempts to try. Instead, here are two bits of lagniappe that came our way and we pass along to you. We hope you find them useful, … Read more
I started with the notion of trying to wade through the weeds of this past year and list the things that kept me in astonishment as a reader, writer, editor and citizen. The list of excellent journalism was pages … Read more
One the best things about writing, or any storytelling, as a career is also one of the worst: You’re never as good as you can get. Sourcing, research, interviewing, story structure, pacing — all that and more are things … Read more
Below are Nieman Storyboard’s top 10 stories, in terms of pageviews and in reverse drumroll order, for 2020. Later this week we’ll include a few of our personal favorites. 10- Navigating ethics, culture and safety … Read more
Clean copy — no typos, proper grammar, consistency of style, correct spelling — probably should be the first rule of effective pitching. Lapses in the so-called little things can undermine confidence in the big things, like thoroughness of reporting … Read more
It has become a common refrain in these chaotic times: We’re not just reading history; we’re living it. That’s always been true, I suppose, for anyone living at any time. But I expect historians will look back on this … Read more
Some years ago, I was involved in the edit of a story about children born to developmentally disabled people. In 1927, the U.S. Supreme Court upheld states’ rights to forcibly sterilize people deemed “unfit” to reproduce … Read more
You have a great idea. You’ve vetted it with trusted friends. You’ve done your pre-reporting — or at least some. You are jazzed and ready to pitch, and have a publication in your sights. Then you hit the tripwires: … Read more