Editor’s note: We’re looking at the never-ending debate over what is called, in journalese, the “nut graf” — that so-what paragraph or section that pulls out of the news or narrative to provide context and significance. In an earlier post, veteran … Read more
Editor’s note: We’re looking the never-ending debate over what is called, in journalese, the “nut graf” — that so-what paragraph or section that pulls out of the news or narrative to provide context and significance. In this post, veteran writer … Read more
EDITOR’S NOTE: This is the fourth in a series of odes that chronicle the legacy newsroom. Each is written from different first-person perspective. Together they create the mumbled narrative of a special and sadly contracting culture. The author, Don … Read more
Jason Rezaian’s twin allegiances were baked into his life and his journalism. He was born and raised in Marin County, California, the son of an Iranian father and American mother. He held dual citizenship in Iran and the U.S. Read more
Editor’s note: All photos are courtesy of LaToya Ruby Frazier and Gavin Brown’s enterprise for the New Yorker. The images cannot be reused without consent or permission. New Yorker writer Rachel Aviv often writes about psychologically complex people — … Read more
EDITOR’S NOTE: This is the third of a series of odes that chronicle the legacy newsroom. Each is written from different first-person perspective. Together they create the mumbled narrative of a special and sadly contracting culture. The author, Don … Read more
Conference panels can be frustrating things. Several subject experts droning on, absorbed with the minutiae of their own work, sometimes failing to make bigger points, often repeating what other panelists have already said, usually running over the allotted time, … Read more
In the original context of “The Overstory,” this sentence applies to a young man — a teenager, actually — who tumbles into the little-known language of coding and programming in the nascent days of computing. The … Read more
EDITOR’S NOTE: While we did not annotate this project by ProPublica Illinois, we are including it in “Annotation Tuesday” because the story itself, as published, was an innovative example of annotated journalism. Effective reporters prize public records — documents … Read more
EDITOR’S NOTE: This is the second of a series of odes that chronicle the legacy newsroom. Each is written from different first-person perspective. Together they create the mumbled narrative of a special and sadly contracting culture. The author, Don … Read more
