One Great Moment

“The only break from the darkness comes when the sub drops through clusters of bioluminescence that look like stars in the Milky Way.”

By Kari Howard• One Great Moment• February 22, 2017

Why is it great? This piece about mining companies exploring the bottom of the ocean creates an upside-down outer space. The whole story is a kind of extended metaphor between the exploration of space and the exploration of the … Read more

“The fences insured against a time when a scavenger in Gautam Nagar might learn that a shot of rare Scotch consumed in ten minutes at the Sheraton’s ITC Maratha cost exactly as much as he earned in seven hundred fourteen-hour days picking up aluminum cans and used tampon applicators, and find that information too much to bear.”

By Jeneen Interlandi• One Great Moment• February 15, 2017

Why it’s great: The sentence is a story in itself. It creates a texture landscape in the reader’s mind (taste that rare scotch, sharp and warm in your throat; then feel the ache in your lower spine, and your own … Read more

“I think that the dying pray at the last not ‘please,’ but ‘thank you,’ as a guest thanks a host at the door.”

By Maria Henson• One Great Moment• February 8, 2017

Why is it great? This is exciting — a guest submission from Pulitzer Prize winner Maria Henson, whose series of editorials on battered women in Kentucky was awarded the prize for Editorial Writing in 1992. (See her piece for Nieman … Read more

“What I can hear are occasional coyotes and a constant chorus of ‘Baby the Rain Must Fall’ from the jukebox in the Snake Room next door, and if I were also to hear those dying voices, those Midwestern voices drawn to this lunar country for some unimaginable atavistic rites, ‘rock of ages cleft for me,’ I think I would lose my own reason.”

By Kari Howard• One Great Moment• February 1, 2017

Why is it great? This essay has a more famous line, which is being quoted a lot these days: “Then is when we join the fashionable madmen, and then is when the thin whine of hysteria is heard in … Read more

“A big pair of garden shears sat on the counter, as foreboding as Chekhov’s gun on the mantel.”

By Kari Howard• One Great Moment• January 25, 2017

Why is it great? Even without context, this line is tremendous. Playfully riffing off Chekhov’s rule that if you introduce a gun in the first act, it absolutely must go off by the third, Solomon transforms a prosaic garden implement into something … Read more

“Frank Sinatra, holding a glass of bourbon in one hand and a cigarette in the other, stood in a dark corner of the bar between two attractive but fading blondes who sat waiting for him to say something.”

By Kari Howard• One Great Moment• January 18, 2017

Why is it great? Yes, we deliberately launched this cool new feature with the first sentence of one of the most famous magazine articles of all time. Go big or go home. Fifty years later, this lede is still … Read more

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“The only break from the darkness comes when the sub drops through clusters of bioluminescence that look like stars in the Milky Way.”

“I think that the dying pray at the last not ‘please,’ but ‘thank you,’ as a guest thanks a host at the door.”

“A big pair of garden shears sat on the counter, as foreboding as Chekhov’s gun on the mantel.”

“Frank Sinatra, holding a glass of bourbon in one hand and a cigarette in the other, stood in a dark corner of the bar between two attractive but fading blondes who sat waiting for him to say something.”