From the Storyboard archives: tips on three of the fundamentals of narrative, from a trio of accomplished writers and editors. Click through to their full essays, and in the meantime here’s a highlight of each: … Read more
Before she wrote Silkwood, before she fictionalized her divorce from Carl Bernstein in the novel Heartburn, before she felt bad about her neck or put Sally … Read more
There’s long-form narrative, and then there’s book-length narrative. Both are “long,” but a story that’s 300 pages long is a different proposition, for both writer and reader, from one that’s 3,000 words. Writers embarking on their first book-length project respond … Read more
[Editor’s Note: These comments are adapted from a talk given by Michael Pollan at the 2006 Nieman Conference on Narrative Journalism.] Book by book, project by project, it’s usually hard to say who you are as a writer or what … Read more
This essay is adapted from Rick Meyer’s notes for a talk at the 2005 Nieman Narrative Editors’ Seminar. Rick’s presentation was paired with Laurie Hertzel’s talk on scenes. We probably ought to declare something right away, so no one … Read more
This is an edited version of a talk Laurie Hertzel gave at the 2005 Nieman Seminar for Narrative Editors. Her remarks were part of a joint presentation with Rick Meyer, who spoke about developing characters. Scenes are the backbone … Read more
Newspaper folks talk a lot about getting people into stories. But all too often that means trotting out direct quotes from a variety of sources. True characterization taps an array of techniques that novelists … Read more
Note: The following is an edited transcript of a talk by Jim Collins at the 2001 Nieman Conference on Narrative Journalism. It was published in the Spring 2002 issue of Nieman Reports. These are things I have learned from my … Read more
“It wasn’t by accident,” wrote Hemingway, “that the Gettysburg Address was short.” His 1932 letter to his editor, Maxwell Perkins, went on to lament every writer’s tendency to write too long, drifting beyond the story’s natural focus. He … Read more
When writers, readers, English teachers, librarians, bookstore people, editors, and reviewers discuss extended digressive narrative nonfiction these days, they’re fairly likely to call it literary journalism. The previous term in circulation was Tom Wolfe’s contentious “New Journalism.” Coined in the … Read more
