We promote narrative nonfiction here at Storyboard but occasionally look outside the genre for storytelling inspiration. Paul Harding, who won the 2010 Pulitzer Prize for fiction for his novel “Tinkers,” visited our Nieman Foundation headquarters the … Read more
In Thursday’s post we excerpted nice lines from the five National Magazine Award finalists in feature writing. These included Luke Dittrich’s “Heavenly Father!…,” from Esquire, about survivors of the Joplin, Mo., tornado, which killed 160 people. Read more
To follow up on our latest Notable Narrative we flagged down Arizona Republic reporter Shaun McKinnon this week as he boarded a plane from Washington, D.C., back home to … Read more
Lori Waselchuk describes herself as a “documentary photographer and arts activist.” We’ve wanted to talk with her for a while about her latest project, “Grace Before Dying,” which focuses on a prison hospice program in Louisiana. Read more
[The third installment in an ongoing series of posts by Julia Barton about audio narratives. –Ed.] A ghostly crowd of voices parades across the public radio airwaves every day: politicians and hosts, foreign correspondents, callers, singers. Sometimes they catch … Read more
Our February Editors’ Roundtable tackled “The law creates barriers to getting care for the mentally ill,” a story by Meg Kissinger of the Milwaukee Journal Sentinel. Addressing the difficult question of “imminent danger” and the mentally ill, Kissinger looked at … Read more
Our February Roundtable looks at “Law creates barriers to getting care for mentally ill,” by Meg Kissinger. In her narrative, Kissinger touches on violence, mental health and 40 years of debates over patients’ rights. The story of Martha … Read more
Our January Roundtable looks at “After the battle, Mike Sword’s war within,” by Beth Macy. In her story, Macy explores the death of a combat veteran in southern Virginia, tracing the effects of the loss on his family … Read more
Our last Roundtable of 2011 considers “California and Bust,” in which superstar business reporter Michael Lewis turns his keen eye away from analyzing European financial problems, looking instead toward the mountain of debt in his home country. The … Read more
There’s long-form narrative, and then there’s book-length narrative. Both are “long,” but a story that’s 300 pages long is a different proposition, for both writer and reader, from one that’s 3,000 words. Writers embarking on their first book-length project respond … Read more