Editor’s note: This is one of five posts from the 2022 Power of Narrative conference at Boston University. For other takeaways, see Ellen Barry on first-person narratives and Lizzie Johnson on deadline narratives. Read more
“A plus-sized Jewish redneck lady died in El Paso on Saturday.” That’s the first line of the unforgettable obit of Renay Mandel Corren, who died in December at age 84. Written by her 52-year-old son, Andy … Read more
At the end of each semester, after all the discussions of craft, I remind my reporting students at the Missouri School of Journalism the why of it all: the larger purpose their journalism serves. By then they have become … Read more
“The White Lotus” scorches like burning sand on bare feet. A satire about wealthy white tourists in Hawaii and a mysterious death that springs from their visit, the HBO series poses spiky challenges to viewers and critics grappling with … Read more
EDITOR’S NOTE: A version of this essay was first published Feb. 19, 2021, as a Storyboard newsletter. That was two days before the tragic news that COVID deaths in the U.S. had topped 500,000. In retrospect, this reflection seems both … Read more
Before you think this clause opens to a sentence and story about religion, because it leans on the word “parable,” it doesn’t — unless your embrace of religion, of whatever stripe, grows from a foundation of selfless service to … Read more
America’s quadrennial obsession with Iowa has passed like the season’s last snow storm, there for a turbulent moment but forgotten three days later. The nail-biting over bad election apps and inadequate phone banks and questions of a … Read more
George Getschow, the tribal leader and founder of the Mayborn Literary Nonfiction Conference, opened Sunday’s sessions by taking attendees to the Fulton Fish … Read more
From the Storyboard archives: tips on three of the fundamentals of narrative, from a trio of accomplished writers and editors. Click through to their full essays, and in the meantime here’s a highlight of each: … Read more
This essay is adapted from Rick Meyer’s notes for a talk at the 2005 Nieman Narrative Editors’ Seminar. Rick’s presentation was paired with Laurie Hertzel’s talk on scenes. We probably ought to declare something right away, so no one … Read more
