EDITOR’S NOTE: This is the second of two posts about how the pitching, reporting and editing of a complex story about crime, assumptions and mental health. Today, Storyboard talks with Atavist editor Seyward Darby about essential story elements … Read more
I’ve heard that most writers struggle with structure. But when you’re alone, surrounded by a mountain of notes and staring at a blank computer screen, it can feel like you’re the only one who hasn’t figured out the secret … Read more
When I’m working with writers on their nut grafs — and when I’m struggling with some version of a nut graf of my own — I seek guidance in examples where the storyteller nailed the point right away. Homer, … Read more
EDITOR’S NOTE: This piece is published in partnership with the Poynter Institute. I have come to believe that all readers read all stories twice — all the time. The first reading comes through the … Read more
If this choice for One Great Sentence seems odd, rest assured we’re not going to go all holiday sappy on you. That’s what the Hallmark holiday movie channels are for. Instead, when this line zipped by in my annual … Read more
