We just posted our 100th “Why’s This So Good?,” Abeer Najjar’s look at the Susan Dominus story in the New York Times Magazine, “Hana.” Nearly twice a month since June 2011, we’ve had accomplished journalists … Read more
Whether you spell them “ledes” or “leads,” opening lines get a lot of attention. And why wouldn’t they? Sitting at the keyboard, with all the tedious and sometimes annoying reporting done, a writer is spoiled for choice, a world of … Read more
Twenty-nine years ago today, Sports Illustrated ran George Plimpton’s “The Curious Case of Sidd Finch,” about a mysterious, unknown major league pitching recruit who threw a fastball at jet speed. Published on April Fools’ Day 1985, the … Read more
From our “Why’s this so good?” archives, a handful of great reads on Hollywood by Raymond Chandler, Truman Capote, Ian Parker and Dave Gardetta, deconstructed for craft and significance by critic Maud Newton, The Atlantic’s Alexis Madrigal, Wired’s Jason … Read more
By now you’ve probably heard the story: In October 2011, a suicidal man named Terry Thompson uncaged dozens of wild animals that he kept on his farm in Zanesville, Ohio, and then shot himself. The sheriff’s department spent a tense … Read more
In Part 3 of our recap of Romania’s “Power of Storytelling” conference on narrative journalism, radio producer Starlee Kine talked about story forms and themes; Esquire‘s Mike Sager talked about listening, and about suspending disbelief; and Pulitzer winner Alex Tizon talked about writing … Read more
In “Grace in Broken Arrow,” our newest Notable Narrative, Brooklyn-based freelancer Kiera Feldman unfurls an investigative story about child sex abuse and institutional accountability at a private evangelical Christian school outside of Tulsa, Okla. The piece ran … Read more
During the last days of December, we’ve been tweeting down Storyboard’s top 10 posts for the year. In case you haven’t been following along, here they are, all in one place (in reverse order): 10. Internet phenom Maud Newton’s … Read more
Truman Capote’s profile of the depressive, incoherent, brilliant Marlon Brando is one of the greatest of all time. Published in 1957 in The New Yorker, it nominally takes place one evening in the Miyako Hotel in Kyoto. Read more
We’re excited to announce a new feature that we’ll be rolling out next week on Nieman Storyboard. “Why’s This So Good?” will explore what makes classic narrative nonfiction stories worth reading. Alexis Madrigal, a senior editor at The … Read more
