Story Craft

Essays on how the craft works, and how to work the craft.

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Reporting and writing historical narrative: Author Adam Hochschild on accessible prose + scene/setting + character + plot

By Story Craft June 29, 2014

Several years ago, Adam Hochschild, the acclaimed author of King Leopold’s Ghost and other nonfiction narratives, told a Vanderbilt University audience that academic writing doesn’t have to be boring. Scholars of history and science — theoretically any discipline — can use basic storytelling techniques … Read more

The sense of an ending

By Story Craft June 23, 2014

Whether you spell them “ledes” or “leads,” opening lines get a lot of attention. And why wouldn’t they? Sitting at the keyboard, with all the tedious and sometimes annoying reporting done, a writer is spoiled for choice, a world of … Read more

“Why’s this (sentence) so good?”

Story Craft April 28, 2014

Editor’s note: This is the inaugural installment of our “Why’s this (sentence) so good?” series, in which a writer analyzes a favorite line from a piece of journalistic storytelling. As we explained last week, we’ll fold the series into … Read more

In praise of the sentence

Story Craft April 25, 2014

The first chapter of How to Write a Sentence (and How to Read One), by Stanley Fish, begins with this paragraph: In her book The Writing Life (1989), Annie Dillard tells the story of a fellow writer who was asked by a student, “Do … Read more