It was a lot of fun focusing on movies this week on Storyboard. Each day I tweeted out some of the best-written lines in filmdom — including the best one-word line ever: “Rosebud.” Here on the site, we explored the … Read more
The annual Maine Lobster Festival is underway, so it seemed like a good time to go big on lobsters. Of course, festival organizers might not have been huge fans of David Foster Wallace’s “Consider the Lobster” piece for Gourmet magazine. And … Read more
This week I thought I’d depart a little from the regular format, because this wasn’t a normal week. We went to the polls, we elected a billionaire reality-TV star to the presidency, and then to top things off, Leonard Cohen … Read more
If you are bored and disgusted by politics and don’t bother to vote, you are in effect voting for the entrenched Establishments of the two major parties, who please rest assured are not dumb, and who are keenly aware that … Read more
We just posted our 100th “Why’s This So Good?,” Abeer Najjar’s look at the Susan Dominus story in the New York Times Magazine, “Hana.” Nearly twice a month since June 2011, we’ve had accomplished journalists … Read more
Editor’s note: In his second and final installment from last weekend’s “Power of Narrative” conference at Boston University, current Nieman Fellow Gabe Bullard explores strategies for storytelling as outlined by author Joshua Wolf Shenk during his session at the … Read more
Here’s a highly curated list for you. Robert Atwan, the editor of the “Best American Essays” series, has selected for the Publishers Weekly website his top 10 essays since 1950. Atwan is careful to point out that he chose the best … Read more
It’s time for Storyboard’s three weekend picks. Here they are: In honor of Roger Federer’s gritty performance in Thursday’s U.S. Open quarterfinal, it seems fitting to re-read David Foster Wallace’s 2006 essay about him in The New … Read more
Whether you spell them “ledes” or “leads,” opening lines get a lot of attention. And why wouldn’t they? Sitting at the keyboard, with all the tedious and sometimes annoying reporting done, a writer is spoiled for choice, a world of … Read more
A story without sound lies too dead on the page. Imagine “Mrs. Kelly’s Monster,” by Jon Franklin, without the pop … pop … pop of the operating-room sensors. Or Tom Wolfe‘s “The Girl of … Read more
