Editor’s Note: This is the first in an occasional series of posts that elaborate on some of the most basic weaknesses in story pitching. You can find other resources about pitching, including examples of successful pitches, … Read more
Too many great-sounding story ideas never go beyond that. They stop with an impassioned chat at a favorite watering hole, or are grumbled about, again and again, by a disgruntled colleague who can’t seem to bust through whatever is … Read more
The Economic Hardship Reporting Project (EHRP) was born from a situation of precisely that: financial insecurity. Barbara Ehrenreich, author of the seminal 1996 work, “Nickel and Dimed,” co-founded the journalism non-profit … Read more
Pitching rises again and again as one of the main challenges facing writers who want to make the leap from idea to publication. Whether you’re a reporter hustling support for an enterprise piece in your newsroom, or a freelancer … Read more
Maria Streshinsky, executive editor of Wired, wouldn’t say the magazine has grown skeptical about the promise of technology. But compared to the optimism of past editorial regimes, she and editor-in-chief Nick Thompson, who took their posts in 2017, have … Read more
When I first saw Pop-Up Magazine in San Francisco a couple of years ago, I struggled to describe the experience to friends. What do you call a show where you might watch a singer in … Read more
Editor Kayla Webley Adler is a freelancer’s dream. She’s willing to gamble on unknown writers if they bring her a great idea. She’s written a detailed guide to pitching that she’ll share with anyone who asks. And she responds … Read more
Erika Hayasaki was an award-winning reporter for the Los Angeles Times when she left the relative security of the newsroom for the feast-or-famine world of freelancing. She has since made her way into some of the nation’s top … Read more
EDITOR’S NOTE: Erika Hayasaki’s conversation with Storyboard contributor Katia Savchuk explores what it took to earn a regular byline in magazines. She also shared the two separate pitches she wrote to land “End Pain Forever” as a cover piece in Wired. Read more
Recession, shuttered publications, the rise of online media — Paul Tullis has weathered it all as a freelancer for the better part of 24 years. What hasn’t changed: Story idea is king. What has, in Tullis’ view, is the level … Read more
