By Philip Kiefer In the last several weeks, Katherine J. Wu, a science writer at the Atlantic, has written a lot about cats. Her run started in late August with a profile of … Read more
EDITOR’S NOTE: This is the second of two posts about how the pitching, reporting and editing of a complex story about crime, assumptions and mental health. Today, Storyboard talks with Atavist editor Seyward Darby about essential story elements … Read more
EDITOR’S NOTE: This is one of two posts about a complex tale of crime, assumptions and mental health published by The Atavist. Today we talk with writer Katia Savchuk about how she found and reported the story. Tomorrow, Atavist editor … Read more
EDITOR’S NOTE: This is one of five posts from the 2022 Power of Narrative conference at Boston University. Read Ellen Barry on first-person narratives, Lizzie Johnson on deadline narratives, Debbie Cenziper on investigative … Read more
EDITOR’S NOTE: Read an interview with ProPublica’s editors about how to submit a successful pitch to the Local Reporting Network. When writing his style of investigative stories, Max Blau considers narrative first. His signature pieces are … Read more
Of what we’ve unscientifically defined as the seven fatal flaws of story pitches, this one probably seems the most lame. Of course, your idea is interesting; you wouldn’t be pitching it if it weren’t. (Unless, of course, you’re … Read more
Clean copy — no typos, proper grammar, consistency of style, correct spelling — probably should be the first rule of effective pitching. Lapses in the so-called little things can undermine confidence in the big things, like thoroughness of reporting … Read more
EDITOR’S NOTE: This installment of our occasional series The Pitch, we annotate a successful project pitch for funding from the International Women’s Media Foundation. Read an interview with the IWMF program manager … Read more
You have a great idea. You’ve vetted it with trusted friends. You’ve done your pre-reporting — or at least some. You are jazzed and ready to pitch, and have a publication in your sights. Then you hit the tripwires: … Read more
I was re-reading an old essay of mine that I’d sent out nine times but could never sell. As I finished it, I thought, “Damn, I like this essay. Why did no one want it?” I decided to send … Read more