Of what we’ve unscientifically defined as the seven fatal flaws of story pitches, this one probably seems the most lame. Of course, your idea is interesting; you wouldn’t be pitching it if it weren’t. (Unless, of course, you’re … Read more
Clean copy — no typos, proper grammar, consistency of style, correct spelling — probably should be the first rule of effective pitching. Lapses in the so-called little things can undermine confidence in the big things, like thoroughness of reporting … Read more
EDITOR’S NOTE: This installment of our occasional series The Pitch, we annotate a successful project pitch for funding from the International Women’s Media Foundation. Read an interview with the IWMF program manager … Read more
You have a great idea. You’ve vetted it with trusted friends. You’ve done your pre-reporting — or at least some. You are jazzed and ready to pitch, and have a publication in your sights. Then you hit the tripwires: … Read more
I was re-reading an old essay of mine that I’d sent out nine times but could never sell. As I finished it, I thought, “Damn, I like this essay. Why did no one want it?” I decided to send … Read more
Editor’s Note: This is the first in an occasional series of posts that elaborate on some of the most basic weaknesses in story pitching. You can find other resources about pitching, including examples of successful pitches, … Read more
Too many great-sounding story ideas never go beyond that. They stop with an impassioned chat at a favorite watering hole, or are grumbled about, again and again, by a disgruntled colleague who can’t seem to bust through whatever is … Read more
The Economic Hardship Reporting Project (EHRP) was born from a situation of precisely that: financial insecurity. Barbara Ehrenreich, author of the seminal 1996 work, “Nickel and Dimed,” co-founded the journalism non-profit … Read more
Pitching rises again and again as one of the main challenges facing writers who want to make the leap from idea to publication. Whether you’re a reporter hustling support for an enterprise piece in your newsroom, or a freelancer … Read more
Maria Streshinsky, executive editor of Wired, wouldn’t say the magazine has grown skeptical about the promise of technology. But compared to the optimism of past editorial regimes, she and editor-in-chief Nick Thompson, who took their posts in 2017, have … Read more
