Tom Wolfe and I met twice, in his Upper East Side home, and to answer the inevitable question, no: He never wore a white suit. Dark blazer, dark pants, no hat. We talked for four hours over two days … Read more
At the end of 2013, everyone I knew was talking about a single essay: Ariel Levy’s “Thanksgiving in Mongolia: Adventure and Heartbreak at the Edge of the Earth,” published in the New Yorker in November. Levy has … Read more
Twenty-nine years ago today, Sports Illustrated ran George Plimpton’s “The Curious Case of Sidd Finch,” about a mysterious, unknown major league pitching recruit who threw a fastball at jet speed. Published on April Fools’ Day 1985, the … Read more
My friend Matthew Power, wondrously excellent human and magazine journalist, died recently while on assignment in Uganda. Like so many others, in recent days I have missed Matt, older-writing-brother Matt, in part by revisiting his work. Read more
In our “Why’s this so good?” series, contributors break down a favorite piece of journalistic storytelling. In honor of this, the season of Spring Break, three great reads in first-person major, on excursions tinged with existentialism. Megan Garber, Paul Kix … Read more
From the “Why’s this so good?” archives, a handful of great reads about, or by, brilliant, brave, inspiring women, featuring Joan Didion, Rita Dove, Calvin Trillin, Julia Barton, Edna Buchanan, Ben Yagoda, Walt Harrington and Jennifer B. McDonald: … Read more
Katharine Boo begins her 2003 New Yorker piece “The Marriage Cure” with one of my all-time favorite opening lines: One July morning last year in Oklahoma City, in a public-housing project named Sooner Haven, twenty-two-year-old Kim Henderson pulled a pair … Read more
From our “Why’s this so good?” archives, a handful of great reads on music by Lil Wayne, James Brown, Britney Spears and Sly Stone, deconstructed for craft and significance by the New York Times’ Margaret Ho, Vela’s Eva Holland, the … Read more
From our “Why’s this so good?” archives, a handful of great reads on Hollywood by Raymond Chandler, Truman Capote, Ian Parker and Dave Gardetta, deconstructed for craft and significance by critic Maud Newton, The Atlantic’s Alexis Madrigal, Wired’s Jason … Read more
It’s easy to miss. A sobering second, surrounded by intemperance. But there it is, the transitional scene after Hunter S. Thompson opens “The Kentucky Derby is Decadent and Depraved” with some lewd banter in a … Read more
